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  • Catalogues

    Flicking her IV line out of the way with the same movement she would use to shoo a fly, Maria Crowley opens the King Arthur Flour Baker’s Catalogue while the new visiting nurse makes herself at home. This one’s name is Corrine, or maybe it is Doreen; she wears Spandex and polyester in icy greens…

  • On Todd Hearon

    "Ancestors" shows the quiet virtues for which he is becoming known as a poet. It has subtle imagery (the wasp, transposed into the ghostly shapes of the ancestors; the loaves of phantom bread); it has narrative momentum without being tediously anecdotal; most of all, it is alive in its various iambic rhythms, never coercively regular…

  • The Grotto

      [postcard text] I am awfully fond of this garden. How pretty are those plants & flowers! There is a grotto in this garden I was afraid to enter as it is too dark there, but at last decided. It is full of passages, the water runs over the walls outside. With best wishes Yours…

  • Burrowing Creatures

    Hawthornden International Writers’ Retreat     There’s a poem I’m always trying to write. It always begins the same way.     Oh, listen, listen—     It is the urgency of the words that compels me. I know what the poem is about, it’s about the world and its shining. But what comes after these words is…

  • On John Casteen

    John Casteen is extremely talented, very dedicated, and a marvelous young writer. He always had a raw and edgy talent, an energy and kinetic spirit that were very impressive. Over the course of his time with us at UVA, he smoothed and solidified that talent and energy into finishing poems that were very impressive. He…

  • Italian Postcard 14

    These cyan-colored snails emerge from the white Umbrian mist with murder on their minds—memories of slow rainy Saturdays—how the city of Firenze looked to Perugino on the day his second son was born—Lord Byron’s lost reflection buried under the pebbles in the springs of Fonti del Clitunno. I feel that snail itching its way across…