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The Uses of Doubt

A few years ago, I had the pleasure of interviewing Muriel Spark. I was speaking to her over the phone at her house in Italy, and so, in addition to my great admiration for her and the distance between us in years, there was a substantial geographical distance. Knowing that she hadn’t published her first…

Down This Wall of Heat

The house gathers dust and rushes. (Unreadable.) And the girl’s body arches. See the unbecoming angle. I lie down now. Open-mouthed-bird. And trust they’re all singing. These our only taboos: Her folded notion of water and clear voice. Her hand unwrapped. Climb in closer. Without line these your limbs, gills, wrist a small cut on…

[This Is a Picture]

This is a picture of the unrequited. It wants you to touch it. Its torso exists as a diagonal plane of yellow crumbling into black: a horizon where it turns, cell by cell, into dust. Cropped at the neck, it yet retains a dumb capacity to love. For which it reprimands itself repeatedly. Yesterday it…

To Zeno

You with your equation, an arrow plugs your heart, half in half out makes nowhere at all. You won’t admit it but what’s left is time: a patient sponge to stop your arrow from bleeding. It isn’t more years I want, just some older days. If a day had four hours more I think I…

Contact Sheet

Her studious efforts to construct and maintain partitions as between varieties of touch, which appeared as the blur between affection and sexuality, were rigorous in proportion to the real absence of boundaries designated by these terms. While the contrast was not sharp, it was still painful. Like trying to pry physiology apart from feeling: once…

from ULULU (Shrapnel Scenes)

(Her Anniversary Page Opera—Continues) The curtain shivers on stage boards—dirty gas on the bare back dust under cover of horse, cloth—darkness to the bristles—broom for a rug over a century (late of sawdust   coal ash   all stagehands on deck) all rugs from the wings (hand to handing off)   rugs   unrolling another’s land another lands—a splash…

Rue Monge Narrated

Up or down it, disguise and discretion go both ways. Indifferent to tone, peeling paint adds cachet: patina proudly worn as uniform. Varnish sweats like skin in the stair. Concierge behind lace curtains waits for deliverance. Who cares if care has stained her age? Even spring is autumnal: pallor of sun and leaf on café…

from The Book of Jon

The time of us on earth is spent lightly on good peas and gravy good enough for a second time in an hour -poem by Jon, when he was eighteen years old, as remembered by my mother Chapter (Dear) Dear Dad Dear Father Dear Jon Dear Pop, (This letter is now a part of the…