Article

  • Art History

    Two Italians painted on both sides of the grand marble staircase in the Scuola di San Rocco—The Plague. The great equalizer. In this democracy of the dead, a woman and her baby are flung over a pallet on wheels, a man with sinews and massive calves pushes them, and it could be almost tender how…

  • Promises to Keep

    After graduating from Amherst College in 1963, I lived in Manhattan for the summer and worked at Redbook, of all places. At night, I pounded out Kafkaesque short stories, which I promptly sent to The New Yorker and which were promptly rejected. In the fall, I headed for Cambridge. I had been granted a Woodrow…

  • Reflection

    When I think about my beginnings as a writer, I think of the floor. I suppose I could think about burning desire, or tenuous talent, but really I have to say that without the particular place where I sat on the floor, I might never have become a writer. Because it was cold in New…

  • The Morning of the Morning

    Why let it matter so much?: the morning’s morningness, early dark modulating into light and the tall thin spruces jabbing their black outlines at dawn, light touching the slope’s outcroppings of rock and yellow grass, as I sit curled under blankets in the world after the world Descartes shattered, a monstrous fracture like the creek’s…

  • Kickers

    Listen to me, said the boys’ grandfather. When I was a boy, you had to be smart or you could get hurt. Their grandfather had already sat down in his old swivel chair. He lit one of his cigars and took a big puff. The boys made themselves comfortable on the floor. We milked by…

  • Across from Grace

    What had been hovering in the air all evening, there, as near as the other side of the table— No, not a woman, but so like a woman, turning away and smiling privately. More like a man—a group of men— who have found a way to draw the party to them. Meanwhile I sit combing…

  • The Nun on the Bus, Florence

        Black drape like a solid shadow, as if the shade won’t slide from her. Veil,     abstracted hair lifting on the breeze. Around us heels, furs, and scarves like swatches     of Las Vegas, a twitch of liner on a pair of eyes, men in the cut of coats,     the usual, long-faced inspection…

  • Bonsai

    One morning beginning to notice which thoughts pull the spirit out of the body, which return it. How quietly the abandoned body keens, like a bonsai maple surrounded by her dropped leaves. Rain or objects call the forgotten back: the droplets’ placid girth and weight; the dresser’s lack of     ambition. How strange it is…

  • Set Piece

    The infinitive is a conservation law. Not to mention all the other things Without which we would have been lost, Like the diamond engagement ring Or the parsimony of the rich. A different context is a different play. The girl in the coffee shop Was a woman onstage. Timor mortis conturbat me. Philadelphia left me…