for Geneviève Pastre Early summer in what I hope is “midlife,” and the sunlight makes me its own suggestions when I take my indolence to the river and breathe the breeze in. Years, here, seem to blend into one another. Houseboats, tugs, and barges don’t change complexion drastically (warts, wrinkles) until gestalt-shift dissolves the difference….
Ti Kikit puts on some pink lipstick, stands on the Place Saint-Pierrein Pétionville. For this evening she has borrowed a friend’s plastic barrettes, eleven of them, each pinching a spongy braid at its base, dotting her head with pink. She likes that corner of the ChoucouneHotel—white bougainvilleas overflow from behind the walls, make her feel…
First a startle of fragrances to remind me where I am: turf smoke blown through drizzle, oystery brine-tang over Quay Street. An umbrella-raking gale. Then mind-blowing blue above the town for a nanosecond until my airport-bound rented windscreen spatters with the weather’s wet splash of anticipation and by an astral lope I’m…
MASTHEAD Guest Editor Yusef Komunyakaa Editor Don Lee Poetry Editor David Daniel Assistant Editor Susan Conley Assistant Fiction Editor Maryanne O'Hara Founding Editor DeWitt Henry Founding Publisher Peter O'Malley Editorial Assistants: Jessica Olin, Dina Finz, and Tom Herd. Poetry Readers: Richard Morris, Caroline Kim, Renee Rooks, Michael Henry, R. J. Lavalee, Jessica Purdy, Brijit Brown,…
Gats’ tag over Shooters’ on DOAs’ covering Dog Tony’s confession DOWN WITH MINE, red black green yellow paint shrouding the orange brick of the Brews-n-Chews, first wall you see after Memphis Avenue crosses the God of Abraham off the list of possible hallelujahs and falls in love…
Midday. The family sits behind Emmanuel’s corpse. His adolescent granddaughters, self-conscious, their bursting nipples squeezed in white Sunday dresses: three child brides for their grandfather’s funeral. Sweat gathers and tickles in the crease behind their knees. A veil of mosquito netting is spread over the body in the open casket. On the wall above the…
Do I begin at the here and now, or does the story start with the first time my mother took the wheel— the first woman to drive in a country where men are afraid to walk? My mother’s story begins when the steam rises. It ends when it’s ready. Taste it. Does it need more…
Half-awake she hears hooves at the door— a stallion enters her Chamber of Longing. When the door thunders shut she recalls the fury of her childhood; Mother’s venomous beauty, Father, adept at lighting amber in the eye of the sexual god. The listless husband picked out for her has left her without heirs. Beyond that…
Returning home to grade five now to Mister Blackwood’s jockey pointer and Mistress Sommerville’s short fingers— their long lessons beneath that mammoth guango tree; to hoppers popping and squirting from grass—our own green- and-brown bubbly; and the dominick fowls coupling nearby. I return now to our cricket pitch, fresh-pressed like cloth, and creased with chalk;…
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