Ain’t no way this river or any other is wide enough to slow us down, no bust-gut half-ass ocean got the means nor the notion to make this anything but fine— why bother to slip on or out of that little bit of nevermind tonight cause it don’t matter none to rhythm and blues…
translated by Khaled Mattawa I knelt to tie my shoes in the frost and heard the rattle of an Indian’s throat or maybe the groan of an animal led to slaughter I imagined men bearing their weapons extinct since The Fifth Article of the Bill of Rights was recited since all applauded it and…
It flew in through the kitchen window that summer a few years after the war, the year I turned four or five, that fragile yellow bird Made In Japan whose insides had been sucked out when the bomb fell on Hiroshima. All it required for nourishment was the sweet, cold water I poured into the…
In the photograph of Billie Holiday taken by Mickey Pallas at the 1957 Newport Jazz Festival, she wears a low-cut evening gown & a fawn-colored stole. Her rhinestone earrings are shoulder-dusters, & her necklace falls almost to her cleavage in heavy leaves of glass stones, or maybe they are real (though paste gems on Billie…
The front door’s latch slides into its brass socket, the kind of sound that pushes you off, like a flip turn at the pool, your thighs recoil and you’re out past the flags, well on your way . . . only I’m talking about the last lap, when there’s no next turn, the future is…
I can’t see anything at first. My eyeballs are air-drying in the night’s fake leather interior. It’s like I’m backwards crying, the tears sucked out from behind my eyes into the chamber of my head, sloshing there amongst the already wet deception-sensors and the spongy flowers of incorrect assumptions. But the front slits, the parts…
She wants it and she doesn’t want it: the lace neck and sleeves, the waist so tight she’ll need it refitted the day before the day. She wants and doesn’t want the pleats and puffs and bows, the veil’s force field guarding her face, the train’s long barge dragging behind, the whole creation so elaborate…
Give me a man with a quick first step, with court vision that takes in all of me, a man who can play in the paint, score from all over, finding my perimeter, a man who can drive my lane. Give me a man who makes his free throws, ready to shoot two whenever I…
You’ve told me how they bury the dead in Ghana— how they lay each, finally, in the heart of his life: a twelve-foot wooden cocoa pod or onion for the farmer, chiefs in slick gold eagles two-men-tall, and crab, crayfish, lobster, sanded tuna coffins— because now that you have had me, oh fisherman, you would…
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