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  • Letters

    “Dear Muzz,” I wrote, the summer I was ten from a seedy nature camp in the Poconos with cows and calves, huge geese, some half-wild ponies —heaven for the urban savage I was then— “I have to do this letter to get breakfast. Kiss Kerry for me. I milked a cow named Clover.” (Kerry, my…

  • Blue

    See my colors fall apart? Green to yellow with just one shade gone, the changing tints of your sun-struck eyes, if there were sun. Today the prism held to mine’s   a prison, locking in the light. In one of those mirrors the colors are true. In one of these pictures the pigment’s my own….

  • Fourteen

    Kirby Dexter is forty-six years old, and for as long as he has practiced law, more than twenty years, he has thought of himself as someone who solves problems. He is a CPA as well as a tax attorney, and he is the person to call if you want something airtight. He is accustomed to…

  • The Tea Ceremony

    from The Farewell Symphony   Tomorrow is Toussaint in Paris, All Saint’s Day, and I suppose I’ll visit Brice’s little white marble plaque in the columbarium at Père Lachaise. Why do I avoid it for months on end? I keep thinking of a couple of Americans we met during the year before Brice died. One…

  • Atomic Bride

    for Andre Foxxe A good show Starts in the Dressing room   And works its way To the stage. Close the door,   Andre’s cross- Dressing, what A drag. All   The world loves A bride, something About those gowns.   A good wedding Starts in the Department store   And works its way Into…

  • Heartsong

    A bird sings from the tree. The birds sing sending waves of desire—and I stand on my roof waiting for a randomness to storm my days. I stand on my roof filled with the longing that sings its way out of the bird. And I am afraid that my call will break me, that the…

  • About Marilyn Hacker: A Profile

    Award-winning poet and renowned editor, lesbian activist and literary formalist, native New Yorker and expatriate American in Paris — Marilyn Hacker, who is all these identities and more, gloriously defies all attempts at easy categorization. “It’s not a question of an issue,” she says in describing the relationship between her art and her convictions, “but…