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  • Meurig Dafydd to His Mistress

    No word I huffed when Stradling urged the squire to throw my eulogy on the fire. The fiddlers laughed. I, snow-silent, proud, did not melt. But I'm spitless now, my pearl, my buttercup, my bread-fruit. I rattle their silver in my pocket. I have other stanzas for harp and lute, other gullible lords to flatter….

  • 67

    I live with my contradictions intact, seeking transcendence but loving bread. I shrug at both and from behind the summer screen I look out upon the dark, knowing death as one form of transcendence, but so is life.

  • Eugenio Montale

    The shift from Eugenio Montale's first three books—high modernist poetry, lyrically intense, elaborately wrought, musically intricate, elliptical—to his last four (Satura, the two Diaries of 1971 and 1972, and the Quaderno di quattro anni) for the translator poses obvious problems, above all of tone and continuity. The late poetry, for instance, is no less dense…

  • To the Storm’s End

         In my most recent book, City Life, I used interlocking dramatic monologues to develop a plot and subplot. Finishing it gave me the impetus to experiment with shaping a musical structure out of inter- locking sequences, each sequence resonating with the others.      To the Storm's End is one of the sequences I'm working on in…

  • Oh, By the Way

    My friend April Fallon tells me that blood on the exterior of the brain is cooler than that in the interior and that it's in the cooler blood that dreams reside. What do you think? Do you love the head as much as I do? That calcareous shell, the stoniest part of the body. And…

  • Middle Age

    Under the lamplight of a Paris hotel, You read Time on “The Decline of America” While your wife watches the evening news,      hoping for comprehension. You remember when you were very poor And made less money than you'll spend on this vacation. You vowed then not to romanticize that time, But your pockets stuffed with…