One morning in late January 1990 I realized I had never written an out-and-out valentine. I also kept regretting I'd never written a valentine for Raymond Carver. What kind of poet and lover was I, anyway, I was feeling. It's true I'd tried to live my valentine, but still—no valentines. Was it my working-class avoidance…
After the Lenigrad trials, after solitary confinement most of eleven years in a Siberian gulag, he told us this story. One slice of sour black bread a day. He trimmed off the crust and saved it for the last since it was the best part. Crunchy, even a little sweet. Then he crumbled the slice…
These notebook entries come from my most recent volume of Fragments, a series of spiral-bound commonplace books I've been keeping for (and to) myself since 1950. These twenty-eight entries (of the three-hundred-some written in 1987) come from typically various sectors of my interests at the time. I selected these present entries in the sequence they…
Today my love feels Italian, reminiscent of, blood spilled between the Austrian and Franco-Sardinian armies at Magenta, bluer and deeper than Harvard crimson. Captain Caprilli is yet to be born to instruct the cavalry. The rider is still an encumbrance to the horse. I drink espresso in the little café with its back to the…
Afterward, it sent me back to that passage in Chaucer about the birds that slepen al the nyght with open ye, and pretty soon that made me think of another passage, in Coleridge, about nightingales perched giddily on blossomy twigs, their eyes both bright and full. It wasn't long, though, before I thought of a…
MASTHEAD Coordinating Editor for This Issue Gerald Stern Executive Director DeWitt Henry Managing Editor / Associate Fiction Editor Don Lee Associate Poetry Editor Joyce Peseroff Office Manager Jessica Dineen Founding Publisher Peter O'Malley Thanks this issue to: Kevin Supples; our poetry readers Christopher Wysocki, Rafael Campo, Tom Laughlin, Bill Keeney, Doina Iliescu, Janet Choi, Karen…
I've believed from the beginning, when I was just a kid writer, that part of the poet's task was to break the rules of language, to free it from the burdens of its history, thus acknowledging that history and revivifying it. It's some such sense that underpins the poem “These Days.” Cross from the Race…
You want me to know I'm keeping memories so you unlatch a few. The future's in there too but badly restrained like an actress so intently fastened on her cue: “pocketknife”—that she stumbles out on “doctor's wife” and has to be mistaken for the maid, then chased out so as not to interrupt the kiss….
This time, Death is rising, waving its big bird wing, anthracite plume, smoke and smudge of a twilit sky E. A. Poe would have delighted in. Along the river lights spread, bridges sway into brilliance, it's all so sudden, like coming out of anesthesia, gates opening, ascent and arrival, the elevator lifting suavely into consciousness….
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