You know the story of the woman in a turret and how ivy puts its fingers across the moon. And besides, no one could hear. Ivy that grows forever against the dankest part of a wall gnawing gargoyles deep in the belly of the house. I would have lowered my long hair to a lover…
Déconstruction est passée, as they say on the Champs-Elysées. One mirror facing another inside a mirrored sphere spins scintillations too tiny and brief to illuminate the unetherized body slabbed for autopsy. Deconstruction is reflective, but of what? Of collective despair, some scholars think. Though we each push our own hopes before us like wheel-barrows through…
That sadness of white bread— To weave a noose of farewell Like the lightbulb over the supper table Transcribing a circle, where your forehead meets the world, Where your words become other people And you are doled out, eaten without butter. * * * Because I love you the ceiling and the air Suddenly matter. Split clear…
take me I'm paranoid enough to imagine the woman with towels steams letters off my corrasible bond and rearranges them to tell the cooks not to serve me the right meat I have English publishers who will scale sheer stone and glass on days when nothing much is happening my typewriter's often mistaken for the…
MASTHEAD Directors DeWitt Henry Peter O'Malley Coordinating Editor for This Issue DeWitt Henry Associate Fiction Editor Don Lee Managing Editor Jennifer Rose Office Manager Jessica Dineen Thanks this issue to: Susan Whitmore, Catherine Creegan, Sharon Bogue, Bethanne T. Elion, Robert Arnay, Sydney Fadner, Sandi Tyler, Melanie Rae Thon, Mariette Lippo, Eileen Pollack, Carol Magun Feingold,…
With the flat side of white plastic spatulas three old ladies hunch on a park bench, slapping gobs of blackberry jam onto slabs of dark bread. Nearby a hobo rolls over on his belly, spots the women and thinks just how sweet that jam would taste. Slowly, he gets to his feet. The women do…
with the roof suddenly in worse shape, “structural damage” and my totaled car I need more, you know than any continuing education class can pay for poetry and fiction for three weeks and you could use a break from New York City ice. Listen, we'll start with something like EST— you know how they stopped…
One looks into the well with his own eyes and watches the bucket always the same bucket go down into the dark. He knows there is a mother, a father, a river. This much is the same. But the dark is his own. They name it Freedom here. Your face comes up slow from the…
What is a farm but a mute gospel? Emerson Red deer stop sucking at turf as though the living came to life in a pose. And the queen-sheep, white ruffs on the neck, gaze with renewed immobility at their shepherd in moonboots stalking the volatile hush of a hidden reactor. In a true pastoral, he'll…
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