Through the soft pulp of farmed pine, the saw moves with the incessant logic of progress. Why stand up when you can fall down? Why be a tree when you can be a house? Here there is nothing to hope for but branches. As the saw works, it whispers of soft flanks weathering in lumberyards….
I mastered the easy ones first. I began with avocado pits and lollipops, belt buckles and keys. I learned that the trick was not to chew but to swallow and savor the wholeness of the thing itself. I nurtured a taste for the outrageous. Goldfish and swords had no allure, nor would I swallow anything…
for Tom What a coincidence. The color of our hair. Ancestral blood. You arriving as I do, our arrival in light. Shine up the pyres now, we can see clear through to the past: one big erasure on the map of Europe. What a common hospitality: a tongue. For example, this dumb lullaby we speak,…
And once, for no special reason, I rode in the back of the pickup, leaning against the cab. Everything familiar was receding fast—the mountain, the motel, Huldah Currier’s house, and the two stately maples . . . Mr. Perkins was having a barn sale, and cars from New Jersey and Ohio were parked along the…
Driving through Cambridge, leaving work, in a hurry, snow slurring my windshield, I see an old balloon-fin Pontiac, orange, with a chrome outline that drags me back to Miss Quinn’s 1st grade. From the classroom, the WPA-orange brick schoolhouse & housing project stood eyeball to eyeball. The Irish spinsters, with their orange hair, led foreign-smelling…
In mirrors all I see Is my own reflection My table is not a horse Onions are something I eat There is no forest In my cupped palm The sun does not set Past the ridge of my fingers Doors only lead me into The next room When I shut my eyes Blackness surrounds me…
An excerpt from the poem (Scripts for the Pageant) which follows “The Book of Ephraim” (in Divine Comedies, 1976) and Mirabell: Books of Number (1978) to conclude a trilogy based upon communications through the Ouija Board. The mediums are JM and David Jackson; the princi- pal speakers, W.H. Auden, Maria Mitsotáki (“Maman”), and the archangel…
I The water looked as if it were hanging, waiting under the Congress Street bridge. It was alive with jellyfish, surfacing and settling, their flinch turned flourish joyous—a slow jumping up and down. Moored in the Fort Point Channel, the ship of the Boston Tea Party Museum sat like a big, family dog while children…
You will find the laboratory far simpler these days; uncluttered. The cauldron is gone, the endless bubbling, the stench, the maze of pipes, the shelves of exotic ingredients that, however combined, could not transmute baseness into gold. That is all done with. Sold or given away to whoever would have it. The thin blue flame…
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