Nonfiction

  • Introduction

    Given all of the anxiety about the future of literature in an electronic age, one thing that seems unlikely—despite the fears otherwise—is that as a culture we will stop reading. Rather, we seem to be reading (and writing) more than ever. By some counts, there were over four hundred thousand books published in this country…

  • Alice Hoffman Prize for Fiction

    The Alice Hoffman Prize for Fiction Ploughshares is pleased to present Angela Pneuman with the first annual Alice Hoffman Prize for Fiction for her short story, “Occupational Hazard,” which appeared in the Spring 2011 issue of Ploughshares, guest edited by Colm Tóibín. The $1,000 award, given by acclaimed writer and Ploughshares advisory editor Alice Hoffman,…

  • Introduction

    When you visit the statue of Montaigne in Paris, you find him amidst overgrown greenery, almost sequestered in the bushes across from the Sorbonne, as if preferring, in bronze, the margin he chose in life. The first thing you notice is his shoe. Even at night, when I came upon him, the shoe emerges first,…

  • Introduction

    Grizzly bears, electric bears, fire bears—these three are the most dangerous bears, my three-year-old daughter informs me. I don’t know how she knows what she knows, yet she knows many things. Lately it is all about bears. Electric bears? I ask her. I’ve never seen an electric bear. If you go into his cave, he…

  • Introduction

    For this fortieth anniversary issue, I invited former guest editors to contribute new work of their own, to nominate and introduce an emerging writer, or to give an account of turning points in their careers. Among the twenty-five who responded, I include here fiction writers, nonfiction writers, and poets. Longtime Ploughshares readers will recognize the…

  • Coming of Age in Book Country

    I knew I was back in New York when I saw children walking to school with books open in their hands. I’d lived away for fifteen years. Now down the streets of Brooklyn they drifted, novels spread wide between their palms, the actual world comprising a mere running margin of asphalt and high-heeled shoes and…

  • Catcher’s Hang

    Diane stands on the bar of the trapeze, pacing and gesturing nonchalantly as a professor lecturing on the ground might. We stand in a circle at her feet, self-conscious in our leotards. We look up hopefully, with awe…we are hoping that she can teach us to fly too. I suspect that as little girls we…

  • Dojo

    From Years Ago, a memoir Tory Fukada showed me how to crank the corners and I practiced, abandoning the graceful strokes of cursive she’d also taught for the bold design, which seemed meant to be carved but smoldered like a brand. Dozens whirled like pinwheels on the barbed-wire page. I loved the prickly maze, the…