Nonfiction

  • On Tanya Larkin

    One of the things I admire about Tanya Larkin’s work is how perfectly accessible it is, while at the same time lush with invention, music, obliquity, and all the other thrills we’ve come to recognize as visionary writing. The occasion in her poems is often an exact place which has the odd property of being…

  • On Christopher Hennessy

    Mr. Hennessy’s breathtaking poems interrogate the boundaries between the physical and the spiritual, the charged space between Eros and Psyche. Part incantation, part dream, part gesture, his poems help us to enter into our own bodies again, to feel as if for the first time the thrill of a lover’s caress or the sting of…

  • On Kathryn Maris

    Kathryn Maris is an emerging poet whose truly original work deserves more notice. "The End of Envy" I praise for its ambition—imagining a psychological world where edifices are destroyed and only staircases remain, and where the speaker continues to climb from the surprising subject position of mother. Her poems gleam like gems, flashing brilliant emotion,…

  • On David Blair

    David Blair’s poems come out of what Greil Marcus once called "the old weird America" (still very much with us, underneath the fog of coiffed media blondes and politics-as-spam). His citizens are at play in a long-running tragicomedy. I like how the poems imply that the slightest quirks of a person’s character govern the insistent…

  • On Kris Vervaecke

    "The Quarrel" is a brilliantly written, searing glimpse into the life of Staszek Czyzowski, Polish survivor of World War II camps, and his ruined wife, Kasia. The writer’s exquisite portrait of this stubborn, furious man, rendered without a bit of sentimentality, is so devastating it takes my breath away each time I reread it. The…

  • On Pauline Uchmanowicz

    Her poetry to me seems quite brilliant. I’ve been reading her recently completed manuscript, Trip Meter, and consider it to be first-rate. How shall I put it—maybe the most forthright thing I can say is that, when it’s published, I’d be honored to write one of the blurbs for its backcover. My blurb would praise…

  • On Mark Conway

    My recommending Mark Conway to the Emerging Writer’s issue is a bit of a farce, mostly because Mr. Conway was recommended to me first—by virtually everyone who has ever read his poetry. I first encountered Mr. Conway at the M.F.A. program at Bennington College, when rumor of his talent was whispered by an enthusiastic chorus…

  • On Pireeni Sundaralingam

    Pireeni Sundaralingan depicts a straightforward urgency in everything she writes. She is from Sri Lanka, and her poetry captures elements of that country’s ethnic violence and cultural tensions. However, a credit to her and her poetry, she strives for a language that embraces a sober beauty through precision. Maybe the directness in her voice has…

  • On Allison Benis

    Ms. Benis has the gifted ability to relay intensity through quiet, subtle language. I am impressed also by her direct, insightful statements which keep the poems tense and alive. I, as you, read a great deal of new poetry, and I am happy (and relieved) to read work that doesn’t just convey sincerity, but which…