Nonfiction

On Pauline Uchmanowicz

Her poetry to me seems quite brilliant. I’ve been reading her recently completed manuscript, Trip Meter, and consider it to be first-rate. How shall I put it—maybe the most forthright thing I can say is that, when it’s published, I’d be honored to write one of the blurbs for its backcover. My blurb would praise…

On Mark Conway

My recommending Mark Conway to the Emerging Writer’s issue is a bit of a farce, mostly because Mr. Conway was recommended to me first—by virtually everyone who has ever read his poetry. I first encountered Mr. Conway at the M.F.A. program at Bennington College, when rumor of his talent was whispered by an enthusiastic chorus…

On Pireeni Sundaralingam

Pireeni Sundaralingan depicts a straightforward urgency in everything she writes. She is from Sri Lanka, and her poetry captures elements of that country’s ethnic violence and cultural tensions. However, a credit to her and her poetry, she strives for a language that embraces a sober beauty through precision. Maybe the directness in her voice has…

On Allison Benis

Ms. Benis has the gifted ability to relay intensity through quiet, subtle language. I am impressed also by her direct, insightful statements which keep the poems tense and alive. I, as you, read a great deal of new poetry, and I am happy (and relieved) to read work that doesn’t just convey sincerity, but which…

On Minal K. Singh

Drawing upon a keen intellect, historic and mythic images, and from her own Indian heritage, Minal makes poems that address essential mysteries. What compels me is how she is able to shape an image that offers revelation, and yet she retains what’s ineffable and unknowable. Like an Escher print, "dots" become "birds/with wing-length and body…

On Katherine Bell

Katherine Bell’s description of what her British post World War II woman finds buried in her backyard—her tiny garden—electrified me, not by what she found but by the delicacy of the description of what she found. A real writer. —Frank Conroy, director of the Writers’ Workshop at the University of Iowa, and author of four…

On Rebecca Soppe

Ms. Soppe’s work is nuanced and vivid, distinguished by a strong voice, a bold, experimental style, and wonderfully long sentences. In "The Pantyhose Man," the narrator is the collective spirit of the women who answer phones at a large Midwestern hotel. What begins as a comic account of how these women contend with obscene phone…

On James Heflin

I have known James for about four years, and have watched his rapid maturation as a poet. His poems combine intelligence, whimsy, emotion, and a sure sense of rhythm. His lines, whether long or short, are always exactly the right length. They follow the natural movements of the poem at the same time that they…

On Ted Weesner, Jr.

I first encountered Ted Weesner, Jr. and his work when I heard him read at the Bread Loaf Writers’ Conference and also at the Pen/New England Discovery awards. In both cases I was struck by his vivid characters and by the edgy, intimate, contemporary voice of his narrators. Later on the page, I found myself…