Jorie Graham, Never, poems: Graham undertakes a dazzling exploration of time in the twenty-seven lyrics of her ninth collection-time as it exists in nature, history, evolution, consciousness, human interaction, and belief. (Ecco)
Alberto Ríos, The Smallest Muscle in the Human Body, poems: Ríos wryly carves poems from fable, parable, and family legend to examine the Nogales, Arizona, of his childhood-a literal and metaphorical border between the U.S. and Mexico. (Copper Canyon)
Elizabeth Spires, Now the Green Blade Rises, poems: Spires movingly meditates on the life-and-death matters of midlife-the separation of parent from child, the loss of family and friends, the evolving nature of our closest relationships. (Norton)
Gerald Stern, American Sonnets, poems: In a collection of fifty-nine “sonnets” of twenty or so lines each, most consisting of a single sentence about a single moment, Stern intimately gives tribute to everything from clocks to gangster cousins. (Norton)
Philip Levine, So Ask: Essays, Conversations, and Interviews: With his trademark humor and down-to-earth intelligence, Levine mixes memoir and criticism, reflecting on his working-class Detroit roots, his apprenticeship with John Berryman, his years teaching, and other stages in his formation as a poet. (Michigan)
Paul Muldoon, Moy Sand and Gravel, poems: In his ninth collection, Muldoon works a rich vein that bridges the County Armagh of his youth with suburban New Jersey, where he now lives and teaches. Both whimsical and elegiac, these poems play with form and language with winning mastery. (FSG)
Tim O’Brien, July, July, a novel: O’Brien’s new book deftly centers on a July 2000 weekend when the Darton Hall College class of 1969 gathers for a reunion. The sharply drawn ensemble includes a Vietnam vet, a Republican trophy wife recovering from a mastectomy, and a mop manufacturer. (Houghton Mifflin)
Carolyn Forché, Blue Hour, poems: Forché’s lyrical fourth collection, her first since the tour de force The Angel of History, ranges from personal memories of childhood and childrearing to stark images of atrocity, with the centerpiece, the forty-seven-page “On Earth,” brilliantly modeled after “gnostic abecedarians.” (HarperCollins)
George Garrett, Southern Excursions, essays: This volume collects more than fifty of Garrett’s essays, reviews, and introductions-all concerning Southern letters in our time, delivered with his characteristic wit and charm. (LSU)
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