Jayne Anne Phillips, Motherkind, a novel: With radiant prose, Phillips’s long-awaited new novel portrays thirty-year-old Kate Tateman as she cares for her dying Appalachian mother in Boston while Kate bumps through the birth of her first child and her new marriage. In a single year, she must reconcile profound beginnings and endings. (Knopf)
Lloyd Schwartz, Cairo Traffic, poems: Schwartz extends his exploration of the intersections of character and language, of the places where common speech mysteriously transforms itself into poetry, into a series of extraordinary and compelling narratives-funny and frightening, seductive and moving. Includes several translations of contemporary Brazilian poems. (Chicago)
Gary Soto, Nickel and Dime, a novel: In these powerful, immensely affecting linked stories, Soto follows three Mexican-American men-two down-and-out security guards and an aging poet-as they wander through Oakland, trying to salvage their broken lives. (New Mexico)
Gerald Stern, Last Blue, poems: Philip Levine writes, “This is a sparer Stern than we’re used to; for years he’s been our Whitman for the present hour. He still is, but he’s writing now with a tighter focus, as though he had to make every word count. The best news is he does. ‘Ravages’…
Mark Strand, The Weather of Words: Poetic Invention, essays: A brilliant and witty collection of writings on the art and nature of poetry, exploring the relationship between photographs and poems, the eternal lyric, old forms, and an alphabet of influences. (Knopf)
Ellen Bryant Voigt, The Flexible Lyric, essays: These eloquent essays celebrate the art and craft of lyric poetry, passionately and astutely revisiting the work of poets from Shakespeare to Bishop. The book is an inspired argument, proving that the making of poems is not just a trade but a calling. (Georgia)
Derek Walcott, Tiepolo’s Hound, poems: Published with twenty-five full-color reproductions of Walcott’s own paintings, Tiepolo’s Hound is a stunning book-length poem that is at once the spiritual biography of Camille Pissarro, a history in verse of Impressionist painting, and a memoir of Walcott’s desire to catch the visual world in more than words. (FSG)
Marilyn Hacker, Squares and Courtyards, poems: Precise, haunting, elegant, and elegiac, Hacker’s ninth volume celebrates her community of friends in Paris and New York and their courage as they live with HIV and cancer. (Norton)
DeWitt Henry, Breaking Into Print, an anthology: Collecting first and early stories from Ploughshares by writers who are now literary lights , Henry serves up an invaluable reference for new writers. Headnotes for each story and interleafed shoptalk make this a sparkling commentary on craft. (Beacon)
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