Introduction

Not so long ago, in trying to dislodge a student from some writing that — due to her fear or complacency — was overly safe and conventional, I experimented with a bit of pedagogical brutishness. I looked her in the eye, held up her story, and said, ” I could have written this.” Now I…

At the beginning of the process of reading fiction for this issue of Ploughshares, I worried briefly — foolishly — that I might not find enough stories to fill my allotted pages. Now, months later, my single regret is that I didn’t have space for more of the fine work I had the opportunity to…

If the novel is the bastard child of two passionately but uneasily matched parents — poetry and journalism — then the short story seems clearly able to trace its descent from the distaff side. I grant poetry the female gender, for reasons that there should be no need to state. Or if there is a…

"I like songs I can relate to,” Ray Charles said in an interview in 1960, long before “relate” became part of the ubiquitous psychobabble. And I guess that was Jane Shore’s and my one persistent criterion for the work we’ve included in the following pages. In some fundamental, surprising, persistent way, the poems and stories…

According to the stories my mother tells, I refused to speak a word until I was almost four. She became so worried that she took me to a doctor — an extreme act in the rural Kentucky region where I was raised; in fact, for the remainder of my Kentucky youth, I would never see…

If you don’t like these stories, you should’ve read the ones I didn’t take. Even though that’s not accurate, it’s probably the only thing I could say in this space to truly arrest the attention of the curious soul bent on simply reading a few good stories (which, in fact, he/she will find here). But,…

It’s been a great joy for me to work as an editor again, to have the privilege of sampling the range and richness of contemporary writing at its sources, and of compiling some of that writing in what’s essentially a book, created as much by its internal juxtapositions as by individual pieces’ indelible strengths. Prose…

The six stories in this issue speak for themselves — forcefully, lucidly — and whatever I might say about them is irrelevant to their value as literature. The very notion of an “introduction,” at least in this context, strikes me as peculiar to the brink of weird. A good story introduces itself, stakes its own…