When I edited my issue so many years ago, featuring Amherst poets, I knew I wanted to have Saint Emily preside over our doings. So I got Jerry Liebling, then teaching at Hampshire, and a very distinguished photographer with many awards and shows at places like the Guggenheim in New York, to agree to take…
DeWitt Henry (without whom there would be no Ploughshares) running the magazine out of his Brookline Street, Cambridge, apartment, a book-crammed fifth-floor walkup, and later from a storefront next to a pizza shop on Waverley Avenue, Watertown: DeWitt, who kept the faith and wrote the grant proposals and answered the mail and talked endlessly of…
After graduating from Amherst College in 1963, I lived in Manhattan for the summer and worked at Redbook, of all places. At night, I pounded out Kafkaesque short stories, which I promptly sent to The New Yorker and which were promptly rejected. In the fall, I headed for Cambridge. I had been granted a Woodrow…
Ploughshares Vol. 2/1-the issue that I edited-was published twenty-seven years ago. Contained in its pages are the markings of a very specific period in Boston, including a line drawing of Peter O’Malley sitting in the Plough and Stars, cap pulled low, newspaper raised, and notices for the Grateful Union Bookstore, Guinness stout, and Emerson College’s…
When I think of those early years, I think of hard labor in brutal conditions — ridiculous, I know, patently false and nostalgic, as if we were working in a gulag, an outpost in the literary tundra. I first volunteered to read manuscripts for Ploughshares in 1986, then began working part-time as an assistant editor…
from a memoir in progress 1. El hombre que yo amo The night before I left my mother, I wrote a letter. ” Querida Mami,” it began. Querida, beloved, Mami, I wrote, on the same page as el hombre que yo amo, the man I love. I’d struggled with those words, because I wasn’t certain…
In the past, readers and critics expected serious novelists to catch the spirit of the new in their fiction, to absorb the particular experiences of living and thinking in a specific time and place. The form and language of fiction evolved to fit changing times and tastes-sometimes briskly, sometimes slowly-to reflect or critique transformations in…
Much has been written about the influence of the academy on the writer who teaches there. But what about the influence a writer may have on the academy? On our way to the airport after her visit at my campus, Lucille Clifton, speaking of poets who teach, asks: “Who else can teach students about the…
Stephen Dobyns is the author of nine books of poetry, including Concurring Beasts, Griffon, The Balthus Poems, Cemetery Nights, Body Traffic, Velocities, and Common Carnage. He is also the author of a collection of essays on poetry, Best Words, Best Order, and nineteen novels, ten of which comprise a very popular series of detective books,…
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