Nonfiction

An Interview with Craig Raine

Craig Raine's new kind of poetry has yet to reach a substantial audience in the United States. But, if the reviews can be believed, Raine's reputation in Britain exceeds that of any contemporary poet on this side of the Atlantic. Raine's four books- The Onion, Memory, A Martian Sends a Post Card Home, Rich, and…

On Craig Raine

I discovered Craig Raine's work (first his remarkable second book A Martian Sends a Postcard Home and then his first book The Onion, Memory) about eight years ago. I was immediately struck by its eloquence, which is never stuffy or merely decorative, by the sharpness of its tone, and by the odd rightness of its…

The Glamour of Craig Raine

Asked what he worked at, Oscar Wilde's brother Willie would reply, "At intervals." This kind of innocuous controlled explosion which sends a phrase sky-high the moment before it reassembles, younger and wiser and apparently unfazed, is analogous to the effect achieved by certain poems. It defamiliarizes, yes, but mostly in order to refamiliarize. It glamorizes…

The Latest From France

Déconstruction est passée, as they say on the Champs-Elysées. One mirror facing another inside a mirrored sphere spins scintillations too tiny and brief to illuminate the unetherized body slabbed for autopsy. Deconstruction is reflective, but of what? Of collective despair, some scholars think. Though we each push our own hopes before us like wheel-barrows through…

A Night in the Gardens

There was a time when New York was everything to me: my mother, my mistress, my Mecca . . . . I distinctly remember wondering, stroll- ing the bright and un-blasted streets, why it was that all the other American cities weren't depopulated now that their young people were free once again to get up…

Note

The original intention of editing an issue of Ploughshares was a collection of dramatic verse, either written directly for theatrical performance or adaptable for the stage. There were few submissions. Instead, resolutely lyrical poems came, altering intention. There are many names I would have liked to see here, but the pleasures of discovery of new…

The Double Thread

In one of his poems, Wallace Stevens leaves us a record of the writer as connoisseur, imposing order on chaos, and, on the other hand, deliberately upsetting the established order. Elizabeth Sewell, in The Structure of Poetry, views the process of writing poems as a mediation between extremes from logic to nightmare. And these polarities…