Poetry

  • Roadside Memorial

    See how the white crosses rise                                                                  out of the ordinary, this stretch of freeway indifferent except it holds                                                                  the loss of someone loved. Bent in the ditch                                                                  empty of rain, the mourners are artists assembling silk flowers, pinwheels                                                                  turning in the sun, stuffed teddy bears, t-shirts,                                                                  handwritten letters, into public sculpture. Monuments of faith, of…

  • Every Time I Choose English

    I am your favorite sound.Say galangal and the tongueretreats. Say rhizome and the rootstalkshoots out new growth.We pull it from the ground,carry it gently: a hand. A harvestof red-veined petals we rubon our lips. Tonight, when my ear hungers,I will feed it song. The metallic talkof hummingbirds. The unfolding of a letter,a shovel hitting rock,…

  • The Shark

    is really three differentmechanized sharks plusfootage of one real shark filmed during a trip to Australiafor that specific purpose. The parts of JAWSthat frighten are the parts where you can’t see the shark. They’re scary becauseyou can’t see the shark. They had to work arounda malfunctioning mechanical shark, rewriting scenes so the shark’s presenceis suggested…

  • The Wolf

    We used to say field in English where we now say battle, where we still say battlefield. As in: many a bloody field was fought. As in: at night, I survey the adrenaline-addled field of my brain. As in: when I’m deprived of sleep for days, the air in the black room holds tiny points…

  • Wetlands

    So thick with sphagnum          a person more sure-footed than I amcan balance on its undulating surface,           even cross from side to side.Didder. British for how a floating bog          quivers when someone steps on the rotting leaves, reeds, and mosses          built up over time.What will I find in my mire           if not the leathery bodiesof dead kings and commoners?          Bent…

  • FAMILIARS

    AVAILABILITY A boy and a deer, a god-boy holding his window, his mirror. Daphne resting in the window and the curve of the boy’s back. The deer’s delicate legs and hooded Orca eyes. Daphne calling her father, she has no father, she has one of many common river gods for a father who does his impotent,…

  • String

    More than most, forthis I feelif I have itall is well:wrangled upinto a ball,handsome reelfrom wriggled scrawl,or lapping strandstwisted thin, thenturned aroundtheir spool or cone, inV’s, in X’s,so much there’sno need to thinkhow much is there.Soft, let loose, butcuts if taut, so,careful, snip thechosen spotto knot a knot orhang a bell,sew a book,secure a scroll,…

  • Core

    The problem is the metalmarks kinetic in my belly.The problem is their tinsel wings stick in my trachea.The problem is regurgitating everything I swallow.The problem, truly, is the feeling of my empty mouth.The problem is I have nothing to say about the warsor genocide except I cannot comprehend a godwho sheds mercy on those with…

  • Hope Pastures

    The landlord was a blind man who rattled the front grillethe first of the month—or last, can’t remember, but alwaysit woke me, the rattling for the rent, his hand like a brokenwing shoved through a hole in the grille. He was vinyl blackand just as shiny. A glossy John Crow. Eyes milky marble,unblinking stare pinning…