The Gate
Often I miss the old poems, the High Ones: the sober Miltonian cosmosgestalt-explainers, with the lobes of gods like batteries charging the lightningfork and discourse of their iambics; or the stately, convolute Modernist epics taking us by either anthro- and psycho- logical hand through the filedrawered corridors of our learning; or, of course, the anonymous…