Ling Ma’s 2018 novel is a story about what it means to make a life when one has been removed—whether willingly or by force—from one’s familiar surroundings, and the faith and perseverance required in order to call a new place home.
Daniel Oz’s flash fable “Beauty Sleep” and Yonit Naaman’s prose poem “That’s What I Want” explore the challenge of overcoming the elusive, patriarchal standard of beauty.
In “The Girl Who Was Plugged In,” a futuristic society has found a loophole in a law forbidding commercial advertisements—the use of “gods,” young, beautiful, pre-programmed, and mechanically-engineered celebrities whose lives are a series of opportunities for product placement. In this world, where perfection has been manufactured, the flawed are easily swept under the rug, removed from public view, and used for parts.
The fictional, nameless nation in Katie Kitamura’s 2012 novel is a country of men obsessed with possession. They care to possess land, money, women. What use these things might be to them is hardly of any interest. The main thing is to own them, to overpower them, and only then decide whether to exploit them.
Maxim Loskutoff’s new novel, out tomorrow, is an exploration of man’s complicated relationship with the highest form of authority—nature.
Iris Martin Cohen’s new novel is a reflection, a condemnation, and a compassionate call to action; it is the story of how we can start to open our eyes to see better and do better.
When I first read Kiese Laymon’s “City Summer, Country Summer” essay, it seemed a sweet, nostalgic comparison of Black culture in New York City to Mississippi. On second read, however, I saw that what united the two boys within was more than their age or the color of their skin: it was profound fear.
To Cline’s Evie, a young girl whose parents are too preoccupied with their respective post-divorce transformations to truly see her and support her, leaving the mild, mind-numbing safety of her small-town and stepping onto a cult leader’s ranch is like stepping into a fairy tale world.
Nano Shabtai’s 2015 book feels especially personal to me. For the past three years, I’ve been working on a memoir about how the world of relationships is experienced through the eyes of a woman who is often troubled by sex but has been instructed her entire life to prioritize romantic love above all else.
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