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Last month, I mentioned John Steinbeck’s famous declaration about the forgetfulness of his beloved Salinas Valley in matters of water and drought. He is fortunate that the valley has not forgotten him. The National Steinbeck Center commands one end of Main Street in downtown Salinas, and a walk through its sprawling exhibits leaves little doubt…
“All a poet can do today is warn,” Wilfred Owen wrote during World War I. If one view of poetry holds it up as something filled with beauty or romance, the truth is that poetry found its first place more in images of violence and war—think of The Odyssey, Beowulf, The Epic of Gilgamesh. In…
Words just seem to have more possibilities in the poems of Diane Seuss. They become more flexible, more magnetic, attracting and accumulating meaning and music in a speedy rush to surprise, a hard-won clarity about what it’s like to be here, be human. Diane is the author of three books of poetry: Four-Legged Girl (Graywolf…
I live near a cemetery in the Berkeley hills that has turned green from the rain. I do most of my jogging in the cemetery, and it reminds me—especially going uphill—that our time here is fleeting. I run among the dead, and I run among the deer and turkeys and other animals forced down the…
In the first chapter of Alexander Chee’s long-awaited new novel The Queen of the Night, the opera-singer protagonist surprises party-goers at a Paris ball by bursting into an aria from Gounod’s Faust. The scene has a scandalous, erotic backstory (too complicated to recount here, but it involves two brothers with a saber fetish) explaining why…
“The writer who never talks about eating, about appetite, hunger, food, about cooks and meals, arouses my suspicion as though some vital element were missing in him,” wrote the Italian writer Aldo Buzzi, in his book, The Perfect Egg: And Other Secrets. Yet, writers who write primarily about food are called food writers, not just…
It wasn’t until I was in my mid-twenties that I realized what I’d been searching for all along. An avid reader, I absorbed a variety of books during my childhood and adolescence. These were carefully screened by my well-meaning but stifling folks, who paled at the thought me reading about sex and infidelities, teenage…
Yu-Mei Balasingamchow is a fiction and nonfiction writer from Singapore. Her stories appear in the anthologies From the Belly of the Cat (2009) and Let’s Tell This Story Properly: Commonwealth Short Story Prize Anthology (2015), as well as in the journal Mänoa. Her nonfiction work includes Singapore: A Biography (2009), co-authored with Mark Ravinder Frost and commissioned by the National…
Not too long ago, as a writer who was based in India, once a colony of the British, and who had once been a “citizen of the world” living in the United States, I wondered, with apprehension, whether my stories would resonate with American and global readers and editors. As a struggling writer, I presumed…
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