Tran’s poems are an antidote to a world that asks us to prioritize progress over reflection, mastery over ambiguity. Their collection is a necessary reminder that states of unknowing, too, are fruitful.
Ella Baxter’s debut novel is a raw, unflinching look at the aftermath of grief.
Each story feels like a potential episode of Black Mirror, exploring futuristic technology and the dangerous hold it has on all of us. Fu present us with the following question: while technology has added many conveniences to our lives, should we accept it? Should we push back for the safety of humanity?
Claudia Durastanti’s English debut is a flame held up to the inexpressible self.
Evaristo’s memoir shows how one writer found her place in the world through storytelling, giving artists a roadmap to a deeper understanding of their own lives through the act of creating.
In Saša Stanišić’s impressive and touching novel, digressions are the journey, as we too move through make-your-own-adventure lives, in which where you are from, and even where you are going, are of transient import.
In her second novel, Ayşegül Savaş goes deep into the human experience, beautiful and fraught, delivering a renewed perception of what it means to be a person among other people.
The experience of reading Lee Young-ju’s collection is to find oneself suspended in an unfamiliar zone, and the disorientation is pleasurable.
Lily King’s new story collection drops readers into imperfect lives, evoking awe and anger and admiration and futility, reminding us how it feels to be human.
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