Poet and essayist Marcelo Hernandez Castillo’s work has appeared in Paris-American Review, Best American Poetry Blog, Ascentos, Muzzle Magazine, Jubilat, New England Review, BuzzFeed, and elsewhere. Alongside Javier Zamora and Christopher Soto, he has worked to eliminate citizenship requirements in poetry contests and awards through a project called Undocupoets.
I talk to Nathaniel Mackey and musician Suzi Analogue about how to, in Amiri Baraka’s words, find the self, then kill it—and about the role of technology in that process.
Last month at the Franklin Electric Reading Series in Crown Heights, Kristin Dombek read a collaborative “choose your own adventure” piece with her friend Stephanie K. Hopkins, pausing after every scene to ask the audience where the story should travel next.
For 25 years people have been galvanized to go to the Art House in Nashville because it’s a beautiful, storied, iconic place with a history of good things happening on the property. As Art House has spread to other locations, the enthusiasm for gathering around common loves and concerns in a great setting continues to draw people.
Gwee Li Sui is the author of the graphic novel Myth Of The Stone, the book Fear No Poetry!, and poetry collections The Other Merlion and Friends, Who Wants To Buy A Book Of Poems?, and Who Wants To Buy An Expanded Edition Of A Book Of Poems?. I interviewed him about his poetry collection.
Juliet. Aurora. Desdemona. Julie Kent has portrayed them all, bringing texts to life during a 30 year performing career as one of America’s premier ballerinas. Last year, Kent retired from her position as Principal Dancer with American Ballet Theatre and has since taken the helm at The Washington Ballet.
One of the pivotal moments in my writing career happened back in the early ’90s when I read Margot Livesey’s debut novel Homework. I was really struck by the unsettling tone of the book and by Jenny, the daughter of the hero’s–Celia’s–boyfriend, a seemingly awful little girl who tries to drive Celia from the house.
Where Explosion Chronicles is distinctive, however, lies in its melding of a variety of different literary modes—ranging from mythic and Biblical language, to historical and political discourses, to Yan’s distinctive blend of parody and pathos.
Peter Ho Davies is the author of two collections, The Ugliest House in the World and Equal Love, and the novel The Welsh Girl. His new novel, The Fortunes, is out this month.
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