The Resistance Will Also Be Literary
November has been a heavy month. The results of the U.S. elections came in; Leonard Cohen passed away; and on Sunday 13th, France commemorated the 1-year anniversary of the Paris attacks.
November has been a heavy month. The results of the U.S. elections came in; Leonard Cohen passed away; and on Sunday 13th, France commemorated the 1-year anniversary of the Paris attacks.
If the question is whether most Americans are reading poetry, the answer is—I won’t sugarcoat it or fudge the numbers—“no.” My mother doesn’t read poetry, unless it’s mine. Does yours?
The Explorer’s Club was founded in New York City in 1904 by Arctic explorers in a grand building with a placard and serious gates. If you stalk their website as I do, you will see several events a year that are open to non-Explorers.
Lately, I have been thinking a lot about interrogating gender in poetry, and I’m especially interested in the work of three trans poets that use a wild arsenal of strategies to unsettle notions of gender and sexuality.
This month, I review three poetry chapbooks from three different women’s voices that are important, that you should read.
In “Poem to Be Read From Right to Left,” recently published in the newest issue of Winter Tangerine, Helal comes up with a new poetic form: “the Arabic.”
The reputation of the nineteenth century novel tends to precede its reading. By this I mean: few readers come to first contact with the likes of JANE EYRE, MIDDLEMARCH, or TESS without some established prejudice for or against the genre, usually in the milieu of a middle or high school literature class.
I recently went with my husband to a concert. The artist we saw writes gut-wrenching songs, and he and his band put on a great show. But I got restless about half way through. “It’s just so masculine,” I said to my husband, and not long after that the inevitable guitar solo tradeoffs began.
This story starts in the tall-walled house of a local poet. Aluminum foil trays of lasagna. Iceberg lettuce. Wool ties, snug dresses. We are all here together to celebrate the visitation of the poet Edward Hirsch. He has just read from his most recent collection, titled GABRIEL, an elegy to his recently deceased son.
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