If you’re looking for some reading to get you in the spirit of Halloween, and your tastes run more to the strange and literary rather than the usual horror fare, you’d be hard pressed to do better than Angela Carter’s short stories.
What scares you? is a personal question, I’ve always thought. Fear is a universal emotion, a rhetorical choice in arguments that we can all connect to, and we all find connections to the fears that most everyone shares: isolation, the unknown, death. However, it is also extremely individual.
Lady sorceresses are vessels of fear through their bodies , or representations used to translate terror. A witch’s greatest strength is her body, as when Circe seduces and distract Odysseus from his journey; it is her greatest weakness, too, as when the Wicked Witch of the West is destroyed: doused in water, her body disintegrates.
When I’ve talked about the desert in various settings over the years—with family and friends, in academic contexts, with strangers outside of the desert—I’ve heard the same remarks time and again about the unviability of the landscape, the loneliness, the emptiness, the desolation. But there is a lot more to the desert that lies just east of LA than one might gather by simply listening to these kinds of conversations what construct the desert as empty space. The desert isn’t a costume. It isn’t a getaway.
Anne Valente’s debut novel, Our Hearts Will Burn Us Down, does not begin with the shattering moment when Caleb Raynor enters Lewis and Clark High School and opens fire—a moment that surely warrants the dimming of the lights, the rising of a curtain. But no, in Valente’s narrative, the shooting has already happened; it’s what gives her tale the sense of in medias res.
Apart from their cosmopolitanism, their interest in baroque aesthetics, and their mutual disdain, Carpentier and Sarduy shared a passion that shaped their writing and, through them, the course of Cuban letters: African American music.
Sometimes a movie is adapted from a well-known novel that entirely eclipses the original material. Characters and plot points get rewritten then cast with A-list stars to take on a life of its own completely apart from the book. The result is two similar but separate works that each have their own legions of fans. The iconic 1961 film Breakfast at Tiffany’s based on the 1958 novella by Truman Capote could be one of the best examples of this type of split.
Wyoming is the Cowboy State. The University of Wyoming mascot is Cowboy Joe. The Bucking Horse & Rider is a registered trademark. Rodeo is the state sport. The state is home to a thriving fossil fuel industry. It has always prided itself on its ruggedness, its self-sufficiency, its don’t-give-a-damn attitude. Dick Cheney lives there.
HBO’s Westworld is rife with literary references that, like the androids populating the titular park, have started to take on a life of their own.
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