Reading

No Real for You

No Real for You

I’m going to begin by asking your forgiveness for two things I usually don’t do. The first is speaking Spanish in my English. The second is using the prefix meta-.  But this is a family of meta-fictional twins, and come on, don’t you agree that “Pierre Menard, autor del Quijote” sounds better than “Pierre Menard, Author…

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The Best Short Story I Read in a Lit Mag This Week: “Miniature Lives of the Saints” by Anthony Wallace

Physical beauty is like an innate talent or gift in that it can provide wonderful opportunities to its possessor that aren’t as easily available to others, if at all. But every blessing can also be a curse. In “Miniature Lives of the Saints” by Anthony Wallace (Missouri Review 38:1) we meet a protagonist struggling with…

Do-Overs: Four Strong Female Protagonists
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Do-Overs: Four Strong Female Protagonists

Historical Fiction isn’t just a man’s world. In fact, several recent historical novels have featured, successfully, stories of bold women who defied odds. In April, I moderated a panel of these writers at the LA Times Festival of Books. Their novels are vastly different, but each presents an old story—a historical one—in an innovative way. As…

The Right Words

The Right Words

For my daughter, who just turned two, language is plastic. She pokes it and stretches it to find out what it can do. Joyfully, she tells stories (only some of them true) about her day. She loves to list the parts she and the cat do and don’t have in common. When it comes to…

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The Best Short Story I Read in a Lit Mag This Week: “The Lips the Teeth the Tip of the Tongue” by Jessica Richardson

There is some form of self-expression in everything we do. Within the arts—writing fiction, for example—there is a spectrum to how overtly that self-expression is shown. Some authors prefer to make their authorial voice as invisible, or “objective” as possible, while others make quite clear through various means that without any doubt it is they,…

THE NEUTRAL CORNER: Michael Hofmann’s “Where Have You Been?” And Gottfried Benn’s “Impromptus”
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THE NEUTRAL CORNER: Michael Hofmann’s “Where Have You Been?” And Gottfried Benn’s “Impromptus”

The neutral corner is one of the two corners of the ring not used by boxers between rounds. It is also the corner a boxer must retreat to after he has floored his opponent. The Neutral Corner was also a bar in Saratoga Springs, New York, that I frequented when at Yaddo in the late…