Reading

A view from the forest ground looking upwards.
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“An Essay Needs to be about Exploring”: An Interview with Angela Pelster

Angela Pelster is the author of Limber (Sarabande Books, 2014), for which she won the Great Lakes College Association New Writer Award. This book was first described to me as a “collection of essays about trees,” which is like saying Moby Dick is a book about a whale. Trees may serve as a starting point,…

The Zippo Museum in Bradford, PA and Zippo Sightings in Literature

The Zippo Museum in Bradford, PA and Zippo Sightings in Literature

I admire a story the way I admire a Zippo lighter—perfectly, even simply engineered to do what is required to do, with nothing extra tacked on.  I’m thinking of an unadorned lighter here, simple brushed steel, not one with a Harley Davidson logo on the side.  Wick, flint, wind guard, lighter fluid, cover, period.  It…

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The Best Short Story I Read in a Lit Mag This Week: “The Ones Who Don’t Say They Love You” by Maurice Carlos Ruffin

I’ve grown to feel that the direct address of second person point-of-view—you—feels like a forced intimacy. There’s an insistence that isn’t necessarily requited, a desperation that meshes perfectly with the plight of the main character of Maurice Carlos Ruffin’s compelling “The Ones Who Don’t Say They Love You,” (The Iowa Review 44/3) which details a…

A map of northern and southern Nigera from the UN.
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Language Could Kill You: Adichie, Code-Switching & the Biafran War

  Language plays a crucial role throughout Chimamanda Ngozi Adichie’s novels, but nowhere is it more decisive than in the author’s second novel, Half of a Yellow Sun. Written against the backdrop of the Biafran War, two wealthy sisters return from England to a nation on the cusp of revolution and choose two different paths:…

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The Best Short Story I Read in a Lit Mag This Week: “Interiors” by Andrea Maturana

Boredom could be defined as a lack of interest in the surrounding world, and as such, not a particularly fun state of mind to be in, nor a compelling trait for a protagonist of a short story. But Andrea Maturana’s short story “Interiors,” (A Public Space 22, translated from the Spanish by Heather Cleary) shows…