It seems that every book I’ve read recently has a talking animal in it. A new favorite is Max Porter’s novel, which begins with a protagonist opening the door to find a life-sized crow on his doorstep. The bird picks the man up, cradles him in his wings.
Examining painful truths, I left behind the stories. I developed an aversion to reading. When I picked up a book, it was as if my brain closed a door. How could I, a writer and an English professor, no longer have a desire to read?
“Materia VII,” the new poem by Joey De Jesus featured in this month’s WILDNESS, an online literary arts journal published in coordination with Platypus Press, uses several relational jumping off points to supercharge the text-scene.
Poet francine j. harris and artist Devin Kenny explore how technology affects language, how they go about the processes of investigating their own work, and who their mentors are–as well as how they themselves have mentored others.
Summer, 1891. Mysteries abound in southern England. On the evening of August 8th, a “perfectly sober” woman is seen walking home on a stone road in Epsom. Early the next morning she is found dead in the street, her throat cut, sending out gruesome echoes of Jack the Ripper.
“Roman Fever,” published by Edith Wharton in 1934 just three years before her death, is one of her short story masterpieces, and it is a story that has spawned many responses, including a modernized version by Alice Elliott Dark entitled “The Secret Spot.”
Though Bartleby, the Scrivener was published in 1853 and documents a world that’s vastly different from our own, it’s a strangely prescient text. The words and situations may be dated, but the sentiment feels familiar: it’s a horror story you’d expect to hear in our era of modernity.
In “The School Bus Driver,” Souvankham Thammavongsa asks not how a love triangle begins or ends, but how it can continue for so long.
We’ve reached the section of Notes I dread the most. It’s also the query I’ve spent more time contemplating than any other. Here, at the center of the book, he makes his infamous case for slavery in his time.
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