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There’s something wonderful in the thought of the subconscious of James Joyce meeting with that of Joyce Carol Oates to create her story “The Dead,” a response to his story of the same name.
By way of introduction at readings, I often start with a poem about my hometown. “For those of you who don’t know me,” I say, “I’m from Schenectady, New York, and I think it is the greatest small city in the world.” I wait a beat before the punchline: “But, I might be the only one.”
In March 2015, I went off the pill. It was all very well-planned on the surface, but inside I was hesitant, equivocal, terrified. I knew I wanted to have kids, but I didn’t ache for a baby, and I was worried about all the ways it would change my life, which I liked quite a bit.
The composition of poetry has taken on a new life. Poetry has evolved from oral and traditional forms, to print and performance, and to our present moment where an amalgam of all forms is possible with technology. Video is a revisiting of the oral and performative traditions of poetry in a contemporary context. Moving images can address the human experience and maintain the complexity of ideas, range of emotions, and clarity of language as does written poetry.
In her expanded essay Tell Me How It Ends: An Essay in Forty Questions, Luiselli outlines the intake form for undocumented minors. The procedure, on paper, is simple: Luiselli presents the questions, the children speak, and Luiselli transcribes their answers in English for the lawyers who will fight to secure their legal status.
The history of Black people in America is important and complex, which is why film is such a crucial, valuable way to understand it. Here’s a list of seven Black films, based on books, that impart insight into the depths of Black joy, Black suffering, and Black life.
For a brief period in childhood, I was afraid of trees. It was after Hurricane Fran swept through North Carolina, and when the winds subsided trees had fallen on roads, houses, sidewalks. Maybe they would fall on me. And maybe trees in the South are scarier than trees elsewhere.
Though genre forms and conventions have changed rapidly throughout the short history of the novel, the popularity of one subspecies has endured: the bildungsroman, or coming-of-age novel.
Language retains the rhetorical barrier between the wild and the civilized, the false dichotomy upon which humans have built cities and established nations. It’s within this partition that poetic genres like the Romantic lyric and the pastoral took root, ensconcing the obfuscations that Tommy Pico rails against.
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