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C. Dale Young’s poems explore themes of personal transformation and self-discovery, delving into what binds people together and pulls them apart. His carefully crafted poems balance strong emotion with formal precision.
In the Fall 1966 issue of Epoch Magazine, Joyce Carol Oates’ classic short story, “Where Are You Going, Where Have You Been?” first appears. Oates takes cues from Schmid’s case to tell the story of 15-year-old Connie.
The reputation of the nineteenth century novel tends to precede its reading. By this I mean: few readers come to first contact with the likes of JANE EYRE, MIDDLEMARCH, or TESS without some established prejudice for or against the genre, usually in the milieu of a middle or high school literature class.
Much like our lives, short stories are brief and end abruptly. They summon entire worlds in just a few pages and then bow out, with startling precision and compression. It is a delicate balance, and such delicate work requires small hands.
From PEN America’s response to the election of a new collection of poems by Johnny Cash, here are last week’s biggest literary headlines.
Originally founded by Robbie MacGregor, Megan Fildes and Nic Boshart, Invisible Publishing released its first fiction titles in Spring 2007, and “has come to include works of graphic fiction and non-fiction, pop culture biographies, experimental poetry, and prose.” Formerly the managing editor at Coach House Books, Leigh Nash joined the Invisible’s board in 2015.
I recently went with my husband to a concert. The artist we saw writes gut-wrenching songs, and he and his band put on a great show. But I got restless about half way through. “It’s just so masculine,” I said to my husband, and not long after that the inevitable guitar solo tradeoffs began.
Post-election, escapism is the only salve when no one can seem to look each other in the eye. David Lida’s newest novel, ONE LIFE, is exactly the dark-humored piece of literature everyone should be indulging in right now.
Here’s a confession. When I talk about NOTES ON THE STATE OF VIRGINIA, I sometimes refer to Jefferson’s “queries” as “cantos.” Like a poetic canto, which stands or falls on the music of its syllables, Jefferson’s queries must have enough tensile strength to contain his ideas, and space to expand them.
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