Blog

On Building Believable Characters in Fiction
|

On Building Believable Characters in Fiction

Before I picked up a copy of Offshore last month, it had been years since I read Penelope Fitzgerald, a British author who didn’t start writing until she was in her sixties. But the characters in this Booker Prize-winning novel caught my attention and I soon became completely emerged in Fitzgerald’s cleverly constructed world. Set…

Review: TRACE: MEMORY, HISTORY, RACE, & THE AMERICAN LANDSCAPE by Lauret Edith Savoy
|

Review: TRACE: MEMORY, HISTORY, RACE, & THE AMERICAN LANDSCAPE by Lauret Edith Savoy

Reading nature writing is second in transformative joy only to being in nature. That joy is slippery in Trace: Memory, History, Race, and the American Landscape by Lauret Edith Savoy, where moments of sublimity are often punctuated by cruelty and alienation.

Pictures of a couple of rows of books on a shelf.
| |

The Best Poem I Read This Month: Sade Murphy’s “Entry 098 &/or Monday Night Before Thanksgiving or//Venus & Mars in Libra”

Sade Murphy pauses time in her prose piece(s) “Entry 098 &/or Monday Night Before Thanksgiving or//Venus & Mars in Libra” in DREGINALD. A series of moments—walking down Grand Street, pivoting on Putnam, taking the bus to Greenpoint—become infused with back-and-forth switches of vision, allowing Murphy to double her text. This doubling is literal: two prose blocks appear…

trump and wonderwoman poster

“Are Mexican-American Writers Obligated To Write About Donald Trump?” A Brown Dude Explains

I’ve written exactly one thing on Donald Trump. One piece felt like enough at the time—Got him!—though as a Mexican-American writer, I find myself wondering how many ways one could/should write about the phenomenon that is the rise of Trump and contemporary populist American bigotry. I’ve wondered too is that even my role as a…