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The Best Short Story I Read in a Lit Mag This Week: “Rain” by Ben Loory

In her essay, “Fairy Tale is Form, Form is Fairy Tale,” (from The Writer’s Notebook, Tin House Books) Kate Bernheimer discusses how the psychological flatness of characters in tales and fables “allows depth of response in the reader.” In Ben Loory’s “Rain” (Journal of Compressed Creative Arts), we’re given almost no access to the character’s…

REVIEW: Belief is Its Own Kind of Truth, Maybe by Lori Jakiela
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REVIEW: Belief is Its Own Kind of Truth, Maybe by Lori Jakiela

Belief Is Its Own Kind of Truth, Maybe Lori Jakiela August 4, 2015 Atticus Books 290 pages Preorder Halfway through her new memoir, Belief is Its Own Kind of Truth, Maybe, Lori Jakiela comes across a mall kiosk selling Russian nesting dolls. “The doll in the woman’s hand looks a little like my daughter—blonde, rosy-cheeked,…

Half the World More:  Juan Felipe Herrera and the Centering of Chicana/o Letters
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Half the World More: Juan Felipe Herrera and the Centering of Chicana/o Letters

Juan Felipe Herrera being named our 21st U.S. Poet Laureate is special for a few reasons.  He is the first Latino U.S. Poet Laureate in history, but also an unlikely if necessary one.  It’s no obscure fact that his writing has historically been underappreciated, undercelebrated even. Herrera’s writing has not, historically speaking, been the kind…

“Uninhibited Openness”: An Interview with Dario Robleto, Materialist Poet
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“Uninhibited Openness”: An Interview with Dario Robleto, Materialist Poet

Conceptual artist Dario Robleto has been aptly described as an alchemist, cultural archeologist, and “raconteur in the ancient way.” By his own definition, he is a “materialist poet”—a term that encapsulates his method of creating sculptural responses to lyrical material lists that mediate on the human condition. From black swan vertebrae to stretched audiotape recordings…

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The Best Short Story I Read in a Lit Mag This Week: “Dead Mouse” by Caroline Macon

Poet William Carlos Williams famously wrote, “Say it, no ideas but in things,” which speaks how objects have remarkable ability to bear and express ideas that otherwise might feel one dimensional, or altogether without shape or meaning. Caroline Macon, in her story, “Dead Mouse” ([PANK] 10.3), employs what the title suggests to carry the emotional…