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Scanlan’s new collection challenges literary norms, making a story do more than perhaps we previously thought possible.
Rachel Louise Snyder’s 2019 book demonstrates how even imperfect language can be powerful and why word choice is especially important when speaking about this complicated crime.
While Rowan Hisayo Buchanan’s latest novel includes living with mental illness as a central theme, it, more importantly, presents a picture of how human beings—whatever the disposition of their brains—try to make sense of what they are experiencing to the best of their abilities.
A library is not just a building, nor can it keep books entirely sealed off from the rest of the world—a library is also a network of books speaking of books, “as if they spoke among themselves.”
Michael Zapata’s new novel is a story about stories, literature about literature, a universe about universes. Memories, ghosts, and shadows all guide the protagonists as they try to keep their stories and homes and loves with them.
Floridian literature provides us with some evidence that the state’s aggressive setting takes an occasional youth back as a tax, like a spiteful Old Testament god, haunting every scrub habitat, clear-cut forest, abandoned development site, or drained swamp.
What all the stories in Thammavongsa’s debut collection, out today, have in common is the stubbornness of desire manifested by the characters, whether it is the desire to defend your parents against mockery, the desire to fit in, the desire for physical intimacy, or the desire to be seen.
Chris McCormick’s debut novel represents American identity—full of choice and individualism, though not in as positive a manner as we would like to believe.
The emotional power of Chang’s new collection comes from the grace and honesty with which she turns this familiar form inside out to show us the private side of family, the knotting together of generations, the bewilderment of grief.
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