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Stories by Megan Mayhew Bergman, Sarah Shun-lien Bynum, and Lorrie Moore portray mothers transformed by grief, their ideas of motherhood complicated by the crises that befall them.
The stories in Megan Mayhew Bergman’s third collection deal with the idea of inheritance—what parts of themselves women bequeath to their children, to one another, to men, and what’s left once those parts are given away.
I’m currently about five months pregnant with our second child, and I’m finding this state no less strange the second time around. It’s plenty of other things too—miraculous, exciting, fascinating, wonderful—and I’m very grateful for it; but in describing the actual daily, bodily experience, that’s the word that first comes to mind for me, strange.
A published letter is a strange act. It’s like a whisper made into a loudspeaker. It’s a secret note the town’s tacked onto the city hall bulletin board after the carrier pigeon nosedived into the public square. It’s intimacy externalized. Some letters seem to speak to no one at all, but the best letters, though…
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