“Poetry is a space in which logic plays a secondary role to imagination and feeling, and that can be a really great playground for a young person who is trying to define themselves and understand the world (i.e., all young people).”
—Franny Choi
Over the years, I’ve distilled people’s reactions down to a core set of misconceptions about poetry. Some of the most pervasive: Poetry is overly difficult. It’s obtuse on purpose. It’s like a riddle. You need to read between the lines. It can mean anything you want it to.
A new kind of writing about motherhood may be emerging. Rachel Zucker’s and Arielle Greenberg’s Home/Birth, Brenda Shaughnessy’s Our Andromeda, Eula Biss’s On Immunity, and Maggie Nelson’s The Argonauts, for example, are conscious in a contemporary way about new possibilities of childbearing and parenting, about choices and agency, yet also connect to tradition. Robyn Schiff’s new book adds another dimension to this emergent canon by summoning the uncanny.
“We live in a late-capitalist situation where if something is not worth money then culture says it’s not worth anything at all.”
Naoko Fujimoto’s lyrical, musical poems are written across distances—whether it’s the personal distance between the poet and the personas she adopts, or the psychological distance of writing from the U.S. about the 2011 Japanese earthquake and tsunami.
Poet and educator Kyes Stevens believes we should all make space for human beings to be the beautiful, rich, complicated, messy folks that we are. Art and poetry help provide this space for all people, and Alabama Prison Arts + Education Project helps provide this space for prisoners.
Jana Prikryl’s The After Party is one of those rare debut volumes, like Stevens’s Harmonium, in which we meet an already fully-inhabited voice. In some such cases, much unforeseeable development may be in store, as with Graham’s Hybrids of Plants and Ghosts; sometimes, as with Delmore Schwartz’s In Dreams Begin Responsibilities, the debut may be almost the whole story. Predictions are futile. A reader does feel, though, that a new town has appeared on the map.
Christina Seymour is the author of the poetry chapbook Flowers Around Your Soft Throat (Structo Press, UK). Her work appears in Cider Press Review, North American Review, Cimarron Review, Wingbeats II (Dos Gatos Press), and elsewhere. She teaches creative writing at Maryville College in east Tennessee.
When I first set out to find C.P. Cavafy’s maternal home five years ago, my friends and I figured heading to the local church in Neochori (present day Yeniköy) would yield the best results. The Alexandrian Greek poet had spent three years of his life, from 1882 to 1885, in the then Greek-dominated village in…
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