The Great Dane in Sigrid Nunez’s acclaimed novel embodies grief itself—a presence that comes uninvited, demands attention, disrupts routine, behaves inscrutably, and holds the power of ferocity and tenderness at once.
Sigrid Nunez’s memoir of the author’s relationship with Susan Sontag, the writer and doyenne of the twentieth-century New York intelligentsia, plays with the concept of the memoir genre. Nunez largely disappears from her own pages as she explains, through vignettes and remembered lines, Sontag’s mentorship.
Weil’s unflagging appeal is in the way she calls us to the miracle of presence in lives beset by struggle. This practice of attention need not ask of all of us the sacrifice it asked of her, but it asks of us something.
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