Death as the Villain in Pet Sematary
Beneath the waking nightmares, reanimated children, and mythological Wendigo, Stephen King’s 1983 novel is about a fundamental and universal experience: grief and the fear of death.
Beneath the waking nightmares, reanimated children, and mythological Wendigo, Stephen King’s 1983 novel is about a fundamental and universal experience: grief and the fear of death.
There is a part of King’s iconic novel that has been left out of both of its film chapters (as well as previous adaptations). And while I understand and agree with the filmmakers’ decision to leave it out, I admit I would be awed by anyone who attempted to put it on the screen.
If de Vigan’s novel indulges the writer’s fear that the writing may dry up, King’s indulges a different but related fear: that you will be forced to write, forever, what you long to outgrow.
October 17, 1975. Salem’s Lot, King’s second novel is published. The story chronicles what happens in the titular, fictional hamlet in Maine when a centuries-old incubus named Kurt Barlow moves into a long-vacant mansion that the locals consider haunted.
This week, I reread Alexandra Kleeman’s short story “Choking Victim”. I had first read it when it was published in The New Yorker in May 2016, when I was spending most of my days at home with a mysterious newborn.
From a book-banning bill to Stephen King’s new collaboration, here’s the latest literary news.
January means it’s award season for the movie industry. As the nominations and trophies are being passed out, it’s a good time to note how the history of Hollywood is inextricably linked to the history of literature.
From the Man Booker Prize winner to Stephen King’s new picture book, here are last week’s biggest literary headlines: Paul Beatty won the Man Booker Prize for his novel The Sellout following a unanimous decision by the judges. Beatty is the first American to win the prize, which was expanded in 2014 to accept books by authors…
Lady sorceresses are vessels of fear through their bodies , or representations used to translate terror. A witch’s greatest strength is her body, as when Circe seduces and distract Odysseus from his journey; it is her greatest weakness, too, as when the Wicked Witch of the West is destroyed: doused in water, her body disintegrates.
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