Article

  • Nola

    —main character in Spike Lee’s film She’s Gotta Have It How many nights I have lain in bed thinking of you, Nola Darling. I climb the fire escape from two floors below to see you soaking your stained panties in the sink, frying your liver and onions. I have seen you naked in the bathroom,…

  • Small Deaths

    Still slight under heavy folds of pleated smock, she swells with talk of midwives, queasy mornings, while he changes the subject, changes the subject as if by pulling the other way he could stop the drift down her chosen path. Each seems to shrink in the sure, clear flame of the other’s want as the…

  • Assimilation

    Already at work—squatting, preening— the Cambodians weed the cranberry bog. They’re close to the earth like mourning doves foraging below the bird feeder—the last to come, to take what others dropped. There’s no moaning. They’re chatty, a giddy cackle carries among them while they move together. They’re alive as the frogs that ga-dung in the…

  • Flesh

    At night the earth’s flesh shifts, which makes the house sigh in its sleep, which sends a shiver through the wood-bones of my bed, which makes me stand up in my dream and climb a hillside flush with gorse and may. I lie down on the peak and feel the kick-punch-kick, and wonder what the…

  • Shadowboxing

    Her eye followed the slim border of scrolled wood running the length of the bar’s chalet roof, then tracked down to the window which afforded a view of rows and rows of parked cars dull in the evening sun, and finally reversed direction across bare-topped surface to her raised forearm and bent wrist, resembling a…

  • Up Jumped Spring

    for Nana What’s most fantastical almost always goes unrecorded and unsorted. Take spring. Take today. Take dancing dreamlike; coffee your night, creameries your dream factories. Take walking as a dream, the dearest, sincerest means of conveyance: a dance. Take leave of the notion that this nation’s or any other’s earth can still be the same…

  • Hail to the Artist

    translated by Marilyn Hacker In the country, he talks to her about art About love, about life, he says that he creates And he loves, she says that his painting Is rubbish, he says that art is life, She says that he’s a layabout, He plays at pricking her with a blade of grass, she…

  • Every Tongue Shall Confess

    As Pastor Everett made the announcements that began the service, Clareese Mitchell stood with her choir members, knowing that once again she had to Persevere, put on the Strong Armor of God, the Breastplate of Righteousness, but she was having her monthly womanly troubles, and all she wanted to do was curse the Brothers’ Church…