More Awards Our congratulations to the following writers, whose work has been selected for the following anthologies: Best Stories — Four stories from Ploughshares-a record number from a literary journal-will be among the twenty in The Best American Short Stories 2001: Claire Davis’s “Labors of the Heart,” from the Spring 2000 issue edited by Paul…
Call me What You Will. This for your complicated hands— my best mechanical tree. Test? No thank you. Question? The rivers run in circles. You noticed. We noticed. (thinking) Duet! & the pin factory . . . Sweet extrovert, it is making pins. You will, you know, but I shouldn’t sing Introvert! Introvert! if I…
Tastes like the melted centers of toasted marshmallows. Tastes like tears of nectar squeezed out of clover blossoms. Tastes like sips from rivers running through lands of milk and honey. Remember those wax bottles filled with colored liquids, how as a child you bit off the top and sucked out the sweet purple, or red,…
MASTHEAD Guest Editor Charles Baxter Editor Don Lee Poetry Editor David Daniel Assistant Editor Gregg Rosenblum Associate Fiction Editor Maryanne O'Hara Associate Poetry Editor Susan Conley Founding Editor DeWitt Henry Founding Publisher Peter O'Malley Assistant Fiction Editors: Jay Baron Nicorvo and Nicole Kelley. Editorial Assistants: Bess Newman and Patricia Reed. Fiction Readers: Eson Kim, Wendy…
According to city ordinance, the Buena Gente cantina should have been closed an hour ago. But the proprietress, a charitable soul whose life imitated the generosity of the earth, who believed in the rights of the people, and who didn’t mind defying a silly law in the name of good business, stayed open late because…
A muster of white peacocks preens by the inverted lake pooling the ceiling. The peacocks are mute. He is not quite mute. An inattention. Letters answered in such haste, he fails to answer. Words overlaid, commas sliding out of line—a riff of lost eyelashes punctuating nothing. In this hungry place, there is a bed and…
Editing my second issue of Ploughshares, in my seventy-third year, I look back on a life’s worth of editing. It began in high school, continued at Harvard, then at Oxford. Late in my Oxford time, I took up editing poetry for the new Paris Review, and lasted nine years. I edited or helped to edit…
Asking Carrying a bucket full Of a broken window or Watching people and their mirrors on TV; the woods tamped down By snow and the very high iron of trees; Air passes from purple to blue into Black pitched lower than trees; Glass for this Half-week….
What’s it all about? Don’t ask and then you’ll know.
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