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  • Introduction to Eden

    Call me What You Will. This for your complicated hands— my best mechanical tree. Test?                                  No thank you. Question?                           The rivers run in circles. You noticed.                       We noticed. (thinking) Duet!                                  & the pin factory . . . Sweet extrovert, it is making pins. You will, you know, but I shouldn’t sing              Introvert! Introvert! if I…

  • Milk of Human Kindness

    Tastes like the melted centers of toasted marshmallows. Tastes like tears of nectar squeezed out of clover blossoms. Tastes like sips from rivers running through lands of milk and honey. Remember those wax bottles filled with colored liquids, how as a child you bit off the top and sucked out the sweet purple, or red,…

  • Contributors’ Notes

    MASTHEAD Guest Editor Charles Baxter Editor Don Lee Poetry Editor David Daniel Assistant Editor Gregg Rosenblum Associate Fiction Editor Maryanne O'Hara Associate Poetry Editor Susan Conley Founding Editor DeWitt Henry Founding Publisher Peter O'Malley Assistant Fiction Editors: Jay Baron Nicorvo and Nicole Kelley. Editorial Assistants: Bess Newman and Patricia Reed. Fiction Readers: Eson Kim, Wendy…

  • The Good Friday Procession

    According to city ordinance, the Buena Gente cantina should have been closed an hour ago. But the proprietress, a charitable soul whose life imitated the generosity of the earth, who believed in the rights of the people, and who didn’t mind defying a silly law in the name of good business, stayed open late because…

  • The Lie of the Ordinary Life

    A muster of white peacocks preens by the inverted lake pooling the ceiling. The peacocks are mute. He is not quite mute. An inattention. Letters answered in such haste, he fails to answer. Words overlaid, commas sliding out of line—a riff of lost eyelashes punctuating nothing. In this hungry place, there is a bed and…

  • Introduction

    Editing my second issue of Ploughshares, in my seventy-third year, I look back on a life’s worth of editing. It began in high school, continued at Harvard, then at Oxford. Late in my Oxford time, I took up editing poetry for the new Paris Review, and lasted nine years. I edited or helped to edit…

  • The Country House

    Asking     Carrying a bucket full     Of a broken window or     Watching people and their mirrors on     TV; the woods tamped down     By snow and the very high iron of trees;     Air passes from purple to blue into     Black pitched lower than trees;     Glass for this     Half-week….

  • The Pond of Desires

    “. . . most desires end up in stinking ponds . . .” —Auden The water, if you can call it that, is black as tar, and the lily pads are seared at the edges, curling up as if trying not to touch it more than they have to. The lilies themselves have gone to…