Article

  • I Owe You One

    Before it gets lost into the void I want to tell about a letter that got written to the Denver Post years ago. It could have been as long ago as 1947 or 1948. It was apparently written in answer to a letter that had been written earlier and, judging by this letter the earlier…

  • Why I Am Tormenting You

    You are a name I have taken at random from the phone directory. Soon we are exchanging recipes for bread. You confess none of your boy friends chat as well as I do. Your life history is fascinating. I continue to torment you. You tell me this doesn’t matter. Since we’ve started talking you’ve gotten…

  • The Alchemist

    Strindberg shouldered a cross and climbed two giant snow-covered breasts. In the crucible of his palms he said “Lead: turn into gold!” In a rooming house bed he felt the walls closing in, the roses plotting against him. And something else Strindberg did — when he drank pernod or anise, he watched a small child…

  • In the Colony

    He was a piece of trash from the first, not to be taken seriously. He arrived in the colony together with his wife, a heavy woman, and two daughters who were, one later learned, twins but not the identical kind. They seemed good enough girls, quiet and formless, pre-adolescent. But the parents were, each in…

  • The Space I Occupy

    I You lie in the arms of the snow falling outside the window. You looked out a long time, then lay down. I ask if you are cold. You are. Your body gives off the only light, the bones reflecting the bare bulb in the room of your life whose door is locked. *     *      *…

  • Playboy

    Looking at his woman of the moment, He congratulates himself on his good taste. Her breasts, lips, legs are a moving sight, Worthy of this investment — Dinner out. Providing similar sustenance, he offers his own      substantial smile, A little work of art, Always a breath-taker. To himself he drinks a toast. Were he to…

  • Hands in Winter

    When the locks froze I stuffed my hands with rags. My wife’s breasts or small animals work but I don’t use rocks; their edges make me dream fists. Wounds close – look at a chopped tree marry dirt, look at bird’s claws knarl on twigs. I like fingers supple as flames, something to lay on…

  • Dust

    The light settles on your face, white crumbs circling your mouth. You sweep it off the lapels and shoulder-straps of the dead you’re dreaming of. You sweep it from the dress you will marry in. You could gather it like dust, add water and make a loaf you’d die from, and having digested your own…

  • Memories

    From where they return is not known: mouths of rivers seethe with their fever. Pilate’s finger bowl is waiting to welcome; fruit can be found in anything, even death. Hands are speaking softer than our voices. Your body lies like braille in the dark. There are components that make up a sentence. Call everything a…