The essays of Febos’s new essay collection read less like a coming-of-age story than they do like a manifesto of all the ways girlhood takes a toll on a girl’s life, as well as of the cultural experience of being a woman.
If we are to rest on the definition of poetry Major Jackson has offered, American poets “write in the wake of a long tradition of resistance.” In responding to American violence with both intimacy and anger on the page, Tron engages in just such an act of resistance.
Ravi Shankar’s new memoir positions traumatic memory and its Hartmanian alignment with a paradoxical capacity for both knowledge and nescience at center-stage: the reader is warned that the tale to be told may in one sense be fictive as much as factual, but that it will, nonetheless, be told truly.
Emma Hine’s debut collection of poetry, out earlier this year, is a book focused on three sisters that behaves like a constellation surrounded by an ever-blackening sky.
Set in 1971, just three years after the Mexican government massacred student protestors at Tlatelolco, Silvia Moreno-Garcia’s seventh novel follows a bored secretary and a member of the anti-communist paramilitary organization the Hawks as they both find themselves looking for a missing young woman.
Matt W. Miller’s fourth book chronicles in documentary poetics the history of the Merrimack River, braiding together its many voices from the perspective of the twenty-first century, when the insistence of memory resides everywhere and in everything: people, the river, the land, industry, relationships—in short, in one’s spirit.
Ethel Rohan’s stories are expertly laced with opposition and convergence, a curled fist and an open palm. Her most recent collection—out this week—features relationships rife with both dissonance and confluence, characters in pairs and triads stretching away and snapping back together.
Lilly Dancyger’s just-released mixed media memoir is a story of two artists, forever separated, and the history and symbols that provide an artistic shorthand able to move past the boundaries of shared experiences and meet again.
Gabriela Garcia’s non-chronological debut novel, built on glimpses of memory and history, digs into issues of cultural identity, social and political unrest, and the complexities of lives informed by migration, oppression, and racial inequality.
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