Welcome to the new Ploughshares website! For answers to commonly asked questions, read here.
Violence in media has always been contentious. Violence is in everything, but there’s always a voice in the room trying to convince everyone of its corruptive force. This perspective tends to ignore how when we fictionalize violence, it stops being violence altogether, thematically changing itself into something that’s only as harmful as its message.
In the Great Green Room is an eminently readable biography. The book sheds light on Brown’s creative process and unlikely sources of inspiration. Gary sheds new light on how Goodnight Moon was made, and in doing so we appreciate it even more.
Derick Mattern is an accomplished poet and translator of Turkish poetry. I spoke with him about his approach to translation, why he believes that all poets should translate, and how he wanted his time in Turkey to be very Turkish.
Last year Amitav Ghosh asked: where are the novels of climate change? Arguing that a limited sense of reality prevents us from accepting the truly uncanny threat that is climate change, Ghosh urges writers to be imaginatively bold and dynamic, and calls for a revival of Romanticism.
Visibility isn’t a vague term. You either see Latinx and Queer writers or you don’t. I don’t want to believe that literary conferences deliberately exclude writers, but I do believe that an oversight is made when a conference planning committee doesn’t try to represent every aspect of the literary community.
The Black Maria, Aracelis Girmay’s intricate epic of black survival, enraptures the reader in a gaze that looks simultaneously backward and forward, toward past and future that are impossible to see yet crucial to imagine.
It’s not novel for celebrities to dip their toes into humanitarian waters. Actor Danny Kaye was named the first UNICEF ambassador-at-large in 1954, a full two decades before Angelina Jolie was even born. The trope of the well-meaning but clueless celebrity do-gooder is so entrenched that it’s become easy prey for satire.
Though Tillie Olsen published very little in her lifetime, her body of work had a great impact on the women’s movement of the 1960s and ‘70s. She was a champion of underrepresented writers. Olsen’s book, SILENCES, became a classic feminist text, and her works of fiction were met with critical acclaim.
The sickly and nightmare-plagued Lovecraft shows an inclination toward the sciences as a child, but his passion for literature emerges in his early adulthood. At thirty-seven, the master of cosmic horror publishes his genre-defining story “The Call of Cthulhu” in the February 1928 issue of the pulp magazine Weird Tales.
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