“What Shall We Do Before Eternity?”
It’s an upsetting premise: The estranged parents of Ninon, a twenty-three-year-old woman dying of AIDS, travel across Europe to attend her wedding in Italy.
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It’s an upsetting premise: The estranged parents of Ninon, a twenty-three-year-old woman dying of AIDS, travel across Europe to attend her wedding in Italy.
With several unforeseen upheavals in global politics over the last year, John Berger’s approach to art and literature as implicitly political seems more relevant than ever. Throughout his extensive oeuvre, Berger posited aesthetics as a radical vehicle for social change, and embraced the role of storytelling and criticism, of poetry and the visual arts.
It seems a pretty commonplace thing to say that great art results from heartbreak. There are countless examples in painting, music, and literature. Sometimes it’s a series of hardships that inspired an artist. Sometimes a direct line can be drawn back to a single event that brought about a sudden surge in artistic activity.
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